showing 16 results matching creditline:"The Jane and James Emison Endowment for Native American Art"

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Beaded panel, late 19th century

Apsaalooke or Dakota

G260

abstracted landscape; primarily rectangular shapes--some curves--forming horizontal bands, delineated with thin red borders; thickly-applied surface pigments with openwork-like unpainted areas allowing bright multicolored underpainting to be visible; purple "sky"; blue-grey "water"; green, lavender, orange and pink "rocks/land" in foreground

%C2%A9 Estate of George Morrison %2F Briand Morrison

Lake Superior Landscape, 1981

George Morrison

G301

red wool ground; five-pointed star at center; beaded overall with large blue bird with green and white flowers on predominately pink stems on each side, with smaller blue birds and flower motifs; pattern of multicolored rectangles along edges; maroon yarn fringe with hide strips and multicolored beads on all sides

Tablecloth, c. 1900

Winyan Hcaka ("The True Woman")

G261

central painted panel with geometric shapes including abstracted letters, in various bright multicolors (predominately warm colors at left, cool colors at right), surrounded by a white frame; outer band of beadwork in predominately red, black, and blue with white text: "WHAT WE WANT / IS FREE"; outer white frame

WHAT WE WANT IS FREE, 2020

Jeffrey Gibson

G304

curved collar with two front downward-hanging tabs; feathers stitched to off-white cotton cloth backing overall; triangular motifs; background of cream and brown spotted feathers; brown, golden brown, spotted brown and white, iridescent blue-green and iridescent green, brown and yellow feathers

Cape, c. 1850

possibly Meskwaki (Sac and Fox)

Not on View
a: "dad": rectangular textile with back ground; 8 horizontal rectangular shapes, top two are white, bottom six are red; gold warp b: "me": rectangular textile with back ground; 8 horizontal rectangular shapes, top five are white, bottom three are red; gold warp c: "mom": rectangular textile with back ground; 8 horizontal rectangular shapes, all are white; gold warp

%C2%A9 2012 Maggie Thompson

Family Portrait, 2012

Maggie Thompson

Not on View
hot pink wool with royal blue satin on front placket, at top of arms and one pocket flaps; gold epaulets on shoulders; gold bells hang around bottom hem; lining has black and white images; in center is woman below text with the heading "Treaty of 1808"; two oil well pumpjacks; wheat field on each side of inside lining with gold embroidery highlights; royal blue beaded word above each wheat field image; back has light blue/hot pink ribbon tied in bow at top

%C2%A9 Anita Fields

Wedding coat, 2019

Anita Fields

Not on View
royal blue, pink and lavender feather plumes that stand upright around top of hat; bottom of plumes wrapped with pink/black plaid ribbon; royal blue and hot pink feathers around brim

%C2%A9 Anita Fields

Wedding hat, 2018

Anita Fields

Not on View
hardbound book with beadwork cover; front cover has black cross with "WAKAN CEKIYE ODOWAN" in black beads on white field; orange bead edging and orange beads on spine; back cover has symmetrical floral spray with pink, red, and blue flowers and two clusters of three black berries on a white ground; hymns with English titles and words in Dakota; received in black clamshell storage box

"Wakan Ceyike Odowan" beaded hymnal, c. 1910

Dakota

Not on View
short half-circle shape; light-colored hide body with red lining (received with "faux"/second lining of red synthetic material whip stitched to original lining); short fringe on all edges including neckline with red wrapped porcupine quills; many symmetrical beaded floral sprays and floral motifs in multicolored beads overall; edging of white beads with red, blue, and yellow geometric patterns

Cape, c. 1900

Winyan Hcaka ("The True Woman")

Not on View
standing figure with arms bent at elbows and forearms raised; long dark hair; large flat headdress with stepped edges; three 3-D hairpins on top of heard; tunic and skirt with patterned designs; rectangular eyes; diamond-shaped mouth; brilliant orange (especially on headdress), black, peach, yellow and light blue

Butterfly Maiden Kachina, 1880-1920

Hopituh Shinumu (Hopi)

Not on View
landscape/waterscape in series of blue and greys; thin island at left, middle ground in dark blue; mist on water's edge in white, longer yarn; tassel of three tied threads at all four corners

%C2%A9 D.Y. Begay

Nahookosji Hai (Winter in the North)/Biboon Giiwedinong (It is Winter in the North), 2019

D.Y. Begay

Not on View
central stepped geometric form with white triangles with radiating lines; feather-like motifs with white buds on body of rug; other geometric forms including ribbon-like looks with white flower buds; border of stepped pyramids in medium brown and golden brown; shades of brown and white

Burntwater Navajo rug, c. 1980

Ruth Tracy

Not on View
diamond patterns with zigzag borders; brown, cream, red, turquoise, tan; turquoise and tan/cream stepped pyramid border

Germantown Eyedazzler blanket, c. 1880

Navajo

Not on View
round basket with stepped, geometric pattern; light yellow stepped diagonal zigzags throughout black/dark brown body; light brown rim; corresponding pattern on circular cover with knob; light brown interior with four black and yellow A-shapes around sloped center base

Basket, c. 1920

Elizabeth Hickox

Not on View
Red, black, and white mask with large bird's head (raven), surrounded by three smaller birds' heads when closed; birds' heads open vertically with a human face/mask at center with black eyebrows and moustache, and green and blue curving forms on face, and small bird's head on top, holding a $5 Canadian bill in its beak; surrounding circle with blue, red, and black on white face and bird motifs; back of mask has black fur

Transformation Mask, 2016

Beau Dick

Not on View

showing 16 results matching creditline:"The Jane and James Emison Endowment for Native American Art"

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